蔡瑾,“中国”“她”艺术“的代表艺术家。

小夏 文化 更新 2024-01-29

拍摄者: miasong

鲜花生日时绽放的自由香气

恐色症的真谛,在现代科学的***下翻开了新的一页。 味蕾的普遍魅力背后还有一个秘密,那就是味觉愉悦其实来自嗅觉。 实验室声称,超过百分之九十的口腔味道来自嗅觉。 因此,“香气袭来”是“性”的基础。 难怪历代绅士都偏爱时令鲜花。

the true meaning of "the desire for food and sex is nature" has opened a new page in the perspective of modern science. behind the charm of taste buds lies a secret, which is that the enjoyment of taste actually comes from the sense of smell. experiments h**e shown that over 90% of the taste in the oral c**ity comes from the sense of smell. so, the essence of "sex is nature" is smell good. no wonder scholars throughout history h**e f**ored flowers.

2018 “朗远仙人”,钱伯斯美术,2018"flowers and plants in the immortal realm"chambers fine art

2018 “郎苑仙宝”钱伯斯画廊。

2018"flowers and plants in the immortal realm"chambers fine art

十二花神的美有其优点,但重点不在于花朵的外表,而在于花朵的香气。 花香静谧、幽暗、清澈、浓郁,衬托出花的优雅、美、美、美,使人心潮澎湃,让人为之着迷。

the true meaning of "the desire for food and sex is nature" has opened a new page in the perspective of modern science. behind the charm of taste buds lies a secret, which is that the enjoyment of taste actually comes from the sense of smell. experiments h**e shown that over 90% of the taste in the oral c**ity comes from the sense of smell. so, the essence of "sex is nature" is smell good. no wonder scholars throughout history h**e f**ored flowers.

2018 “郎苑仙宝”钱伯斯画廊。

2018"flowers and plants in the immortal realm"chambers fine art

天堂 No.2 油画、鞋、蜡、亚克力板 2018arcadia no.2oil painting, shoes, candle, acrylic sheet33x46x33cm

在政治动荡、资本消耗眼花缭乱的时代,多重意识形态对思想和感官的支配是一种奇怪的把戏,而人的真实性如何能够自我维持,才是艺术家们最关心的问题。 90年代,中国开始全面接受消费文化的冲击,85后,艺术潮流再次面临新的挑战,大部分艺术家的神经立刻被新政治经济的文化意义所激起,于是调整了创作的重心,而当时还是新人的蔡晋, 就是其中之一。不同的是,蔡晋感受到的新风,不是意识形态的根本性变革,而是新时代经济竞相争夺的感官空间和感性魅力。

in today's changing times and consumer society, the dominance of diverse ideologies over thoughts and senses has emerged as a strange tactic. how to maintain human authenticity is truly the primary concern for artists. china began to fully accept the impact of consumer culture in the 1990s, and the artistic trend faced a new challenge after the "eighth five year plan". the nerves of most artists were immediately stirred by the new cultural significance, and the focus of their creations was adjusted accordingly. cai jin, who was still a newcomer at the time, was also among them. the difference is that the new trend that cai jin feels is not about the drastic changes in ideological trends, but about the sensory space and emotional charm that the economy of the new era is competing for.

Xanadu No.3 油画、鞋子、蜡、亚克力板 2018arcadia no.2oil painting, shoes, candle, acrylic sheet33x46x33cm

Xanadu No.4 油画、鞋子、蜡、丙烯酸板 2018arcadia no.4oil painting, shoes, candle, acrylic sheet33x46x33cm

Xanadu No.5 油画、鞋、蜡、亚克力板 2018arcadia no.5oil painting, shoes, candle, acrylic sheet33x46x33cm

她在这里闻到了一丝自由的空气。 它不是新自由主义商业的空气,也不是对旧生活的反叛,而是一个完全摆脱一切抽象观念的人类空间。 路边腐烂的香蕉叶,不经意间激起了肉体的欲望,让蔡瑾拼命地投入到她对这种感觉的描述中,试图在画作重复的标题下陈述人性的真谛。 肉体的肉体欲望突然将人与天地的生命结合在一起,并神奇地将自己从所有社会的束缚中解放出来。 她在乡间路边闻到了花神的呼唤。

she smelled a hint of free air here. that is not the air of new free commerce, nor a rebellion against old life, but a human space that completely breaks free from all abstract ideas. the decaying beauty banana le**es on the roadside inadvertently aroused the desire of the body, causing cai jin to recklessly immerse herself in her description of this feeling, attempting to state the true essence of human nature under repeated painting titles. the sensory desire of the body suddenly combines human life with that of he**en and earth, miraculously freeing us from all social constraints. she smelled the call of the flower god on the rural roadside.

屋顶上的浴缸 2020 屋顶上的浴缸 武清园美术馆

黄色的花枝布面油画

花朝节在每年的2月中旬举行,在农历情人节元宵节后一个月,全国人民都会庆祝鲜花的生日。 花朝节传统的深层寓意,或许就是庆祝人性吃色的生日。 在声欲的背后,花灵在花与风、月场景的掩护下,悄然打开了人性的感性,调动了被宗教和政治压抑的天地之心,开辟了一个超越社会制度和任何宗教信仰的自由世界。 十二花神的秘密,似乎就是季节的芬芳,而人的芬芳是欲望的关键。 人性的原始**,不能不被意识的类型所支配,这种意识是与生俱来的自由。

难怪蔡晋痴迷于各种花仙子和花神!

文:张松仁。

十月 1, 2017.

the northern huachao festival is held in the middle of february every year, one month after yuanxiao (filled round balls made of glutinous rice-flour for lantern festival), the chinese valentine's day. on that day, the whole country celebrates the birthday of all flowers. the traditional significance of the flower festival may be to celebrate birthdays for the human nature of food and sex. behind the scenes of sound, color, and desire for food, and under the cover of the beauty of flowers and the beauty of the moon, flower quietly opens up human emotions, shaking the suppressed heart of he**en and earth, and thus opening up a free world beyond social systems and any religious beliefs. the secret of the twelve flower gods seems to be the fragrance of flowers in the season, and the lingering fragrance is the key to desire. the inherent desire of human nature is innate freedom.

no wonder cai jin is so obsessed with various flower immortals and gods.

text/zhang songren

october 1, 2017

2024年生于安徽省屯溪市。

2024年毕业于安徽师范大学艺术系。

现为北京专业艺术家。

1965 born in tunxi, anhui province

1986 graduated from the art department of anhui normal university

currently lives in beijing, professional artist

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